Fully approved by Pope Benedict XVI

“And even as they did not like to retain God in their knowledge, God gave them over to a reprobate mind, to do those things which are not convenient; Being filled with all unrighteousness, fornication, wickedness, covetousness, maliciousness; full of envy, murder, debate, deceit, malignity; whisperers, Backbiters, haters of God, despiteful, proud, boasters, inventors of evil things, disobedient to parents, Without understanding, covenantbreakers, without natural affection, implacable, unmerciful: Who knowing the judgment of God, that they which commit such things are worthy of death, not only do the same, but have pleasure in them that do them. ” (Romans 1:28-3

The world today seems to come up with new disturbing stuff every now and then, but nothing would ever top that which would come forth from a self-professing “Christian” entity. Although the Catholic Church’s leaders in Vatican do preach about Christianity and the morals that go alongside it, there seems to always come out of the blue a hint of the kind of things the heart of these so-called “Christian” church leaders are focused in. The story below is yet another disturbing fruit springing forth from the Vatican.

With the full approval of Benedict XVI, The Diocese of Würburg, Germany reported on February 29, 2012, that it will permanently display a portrayal of the Last Supper by Henning von Glerken in its Cathedral Museum. In this parody the artist includes six women and two children among the 12 personages. Three adults, as well as the children, are completely naked, and one adult displays a bare torso.

With the full approval of Benedict XVI, The Diocese of Würburg, Germany reported on February 29, 2012, that it will permanently display a portrayal of the Last Supper by Henning von Glerken in its Cathedral Museum. In this parody the artist includes six women and two children among the 12 personages. Three adults, as well as the children, are completely naked, and one adult displays a bare torso. The place of Our Lord in the center is empty, but when a visitor sits on a bench in front of the painting, the picture of his face is automatically projected onto the wall to fill the central place of the missing Christ, as shown below.

Justifying evil as good

Fr. Jürgen Lenssen, above right, art director of the Museum, praises the portrayal and justifies it as a symbol of the different situations of life. Asked about the naked persons, he considers them as correct expressions of “the wounds of people.” He added: “For me the last supper is anywhere a celebration of life takes place.”

Source – Newsnet14